Interesting. The process analyst in me has another "take" on this... I would imagine that starting a portrait by painting the subject's face had practical implications beyond color and light. Once the face is finished, the subject can then get on with their lives while the artist finishes up the rest of the painting. Since sittings for portrats can take several hours, I can see how painting the face first makes practical sense.
2 comments:
Interesting. The process analyst in me has another "take" on this... I would imagine that starting a portrait by painting the subject's face had practical implications beyond color and light. Once the face is finished, the subject can then get on with their lives while the artist finishes up the rest of the painting. Since sittings for portrats can take several hours, I can see how painting the face first makes practical sense.
CincyCat,
I see what you mean. Makes sense.
I guess it's a reminder of the general rule: Do whatever works for you.
Thanks for your insight.
Michael
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