Any New York institution that participates in this travesty should be roundly denounced. Art in the Streets is a classic exercise of the elites’ juvenile dalliance with countercultural norms that they have no intention of adopting in their own protected lives. MOCA has never tolerated graffiti on its own premises; none of its wealthy Hollywood and real-estate-mogul trustees would ever allow tagging on their homes or businesses, either. So opposed is MOCA to unauthorized graffiti on its walls that it stationed additional security guards around its premises before the show opened, to guard against the inevitable upsurge in graffiti that the show would (and did) trigger. Yet there is no sign that Deitch or his trustees grasp the contradiction. Indeed, in a breathtaking display of stunted moral development, Art in the Streets never even addresses the seminal fact that behind every act of graffiti is an invisible property owner whose rights have been appropriated against his will.
Read the rest of Heather Mac Donald's article here.